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Yes, another silly HDR, shot just before sunset. I should have Photoshopped two moons into the sky. Take me to your leader.
Team member ShadowyOne shoots the monument. I'm learning to make better use of my wide angle lens. The Arch is so big that you need one if you want anything in the foreground. Hooray for digital cameras with full-sized light sensors.
I think I used this photo on my St. Louis Daily Photo Blog way back when. It didn't get a lot of response but I like it a lot. People will pose for you if you are polite and friendly. Love his eyes and low rider jeans.
This photo of the Arch was taken three and a half years ago, around the time my obsession began. Compare it to today's picture on St. Louis Daily Photo, shot earlier this month. This shows the reflection of the afternoon sun streaming down the plates of the north leg. There is some simplicity and purity that I've lost in recent pictures of the monument. Let us know what you think.
A shot that couldn't be simpler or more straightforward (except it's an HDR - not immediately evident). Just an illustration of why I love it so much.
Sorry for the lack of posts recently. There is way too much on my plate. This photo is a companion to today's picture on the St. Louis Daily Photo Blog. shot moments earlier. It's grandiose, I admit that. I have a soft spot for high quality bombast. For example: the Dies Irae from Hector Berlioz's Requiem (start this track at 5 minutes 30 seconds and crank it up). When I was young and stupid, I liked to make a tent out of two loudspeakers, put this track on a full volume and stick my head in the middle. Bliss. Now I make pictures like this.
Sorry no posts here in so long - just too much on my plate. This picture was shot on January 3, 2009, in fog with a Lensbaby.
More of a series emphasizing the Arch in its urban setting. This is taken from the old industrial area a little north of the monument.
This is a companion picture to today's post on St. Louis Daily Photo Blog. I haven't done much about how the Arch looks in the city where it lives. This is looking south from North Broadway. That unfortunate bit of architecture to the left is the Four Seasons Hotel and Lumiere Place Casino.
There are a lot of tricks the Arch plays on our eyes. For example, most people find it hard to believe that it is exactly as wide as it it tall. In this photo, it looks like the family taking pictures gives us a sense of scale. But the Arch is so tall and, viewed from the side, it recedes more and more sharply as it goes up, that we really can't gague what we're looking at. One of its many wiles.